Ka tūtaki tātou ki te matua kēkē o Mere, ki a Michael Skerrett Snr. Kua roa tēnei kaumātua e aro ana ki te mahinga kai. Ka kōrero ia mō te huringa āhuarangi, me ngā rerekētanga o te mahinga kai i ēnei rā.
"Traditionally, one year in seven the birds would be skinny - kihaka - but last season was the first decent season we've had since 2007. Thirteen years. So it's a real, real worry."
Ka pērā hoki ngā whakaaro o Mere. E āwangawanga ana ia ki te oranga o tēnei manu kei anamata, me te oranga o ngā tikanga me te reo Māori.
"Ae rā, ki te ngaro te reo ka ngarongaro, ka mimiti haere ngā tikanga, he raruraru nui tēnā. Ki te ngaro te reo ka ngaro ngā tikanga Māori, kaore e kore ka raru ko te whenua me ngā manu."
E aro ana tēnei hōtaka ki te ao kei tua, me te pātai, ka pēhea tātou e hāpai i ā tātou taonga tuku iho mō te oranga o te iwi me te taiao.
A return to the ways of our tūpuna; food harvested from the garden and in line with a traditional maramataka. Sustainable hunting practices. Connection to water and land maintained through a symbiotic relationship in which all are fed. Self-sovereign food practices like these are something often discussed amongst our hapū and iwi.
Kahu Kutia heads to Waihōpai to catch up with her kōhanga reo teacher Mere Skerrett, who is preparing for a trip to the tītī islands for the annual muttonbirding season.
At Murihiku Marae in Waihōpai Photo: UGP / Kahu Kutia
In the cold autumn landscape of the deep South, Kahu and Mere journey through some of the history of mahinga kai.
As Kahu finds out, there is more to the practice than simply seeking sustenance.
"He mīharo ngā manu tītī. Ka taea te ruku kaimoana kia rapu kai. Nō reira ko ngā tītī, koira te take o te whakataukī "Kia manawa tītī". Kia pērā i te tītī, kia tino kaha ki te whai atu i tōu e hiahia ana."
The tītī season happens around April 1 to May 31 every year.
During this time, those with a valid permit and whakapapa to the islands are permitted to travel and catch tītī. While traditionally stored in pōhā - bags made from bull kelp, harakeke and tōtara bark, today the salty birds are stored in buckets and shipped round the country to whānau eagerly awaiting their share of this prized delicacy.
For Mere, there is a connection between the language used to harvest the birds and a cultural perspective unique to Ngāi Tahu and Ngāti Māmoe.
As one of many people working hard to revitalise te reo Māori, Mere Skerrett is particularly interested in the link between mahinga kai practices and te reo.
"Kei te kite atu kei te mimiti haere koira te take e hiahia ana te tae atu, haere atu ki ngā moutere whakawhitiwhiti kōrero i roto i te reo, he mea nui tērā ki te whakaora anō. Tēra rautaki te whakarauora reo, he rautaki whai whakarauora tangata. He rite me te taiao, he rautaki whakarauora taiao."
In this episode, we also meet Mere's uncle, Michael Skerrett Snr. Michael has spent decades observing the changes in the practice and had many thoughts to share on the impact of climate change on the tītī harvest.
"Traditionally, one year in seven the birds would be skinny - kihaka - but last season was the first decent season we've had since 2007. Thirteen years. So it's a real, real worry."
It's a sentiment echoed by Mere, with her focus not only on the survival of tītī populations into the future but also how that impacts tikanga and te reo Māori.
"Ae rā, ki te ngaro te reo ka ngarongaro, ka mimiti haere ngā tikanga, he raruraru nui tēnā. Ki te ngaro te reo ka ngaro ngā tikanga Māori, kaore e kore ka raru ko te whenua me ngā manu."
At the bottom end of Te Waipounamu Photo: UGP / Kahu Kutia
About He Kākano Ahau:
Kahu Kutia Photo: UGP / Dylan Cook
After co-winning Best Episodic/Recurrent Podcast at the 2020 Voyager Media Awards, activist, writer and uri of Ngai Tūhoe, Kahu Kutia returns with season two. She leads a close-knit team across the motu in search of stories woven together by whakapapa and desire to be and exist bigger and better.
This season’s creative team also includes producer and editor, Melody Thomas, of the award-winning sex and sexuality podcast BANG!, journalist, producer and editor Frances Morton continues with He Kākano Ahau alongside producer and award-winning filmmaker Ursula Williams as the podcast’s executive producers. Te Hira Mayall-Nahi (Ngāti Whatua ki Kaipara, Te Rarawa) and Briar Pomana (Ngāti Kahungunu, Ngāti Rakaipaaka), came on board in teina roles to assist with production.
He Kākano Ahau: Wawatatia is a seven-episode series, including two episodes in te reo Māori. Our target audience is young Māori, but we hope the stories make space for everyone to listen in.